A woman struggles to keep her stepdaughter from harms way after she hires an assassin to kill her husband, but the hitman turns and blackmails her for the crime.
Director:
Ilias Mylonakos
Writer:
Ilias Mylonakos
Stars:
Laura Gemser, Gabriele Tinti, Livia Russo

After years of abuse at the hands of her husband, a woman, Emmanouella, is pushed to the breaking point. She hires a hitman to do in her husband, but just when she thinks her troubles are at an end, the assassin blackmails her. As her husband's business partner struggles to prove her guilt, and as the hitman continues to threaten her new found security, Emmanouella struggles to keep her name clear and to keep her naive stepdaughter from becoming tangled in the web of danger she has created.

Given the title, one might be forgiven for thinking that Emanuelle Queen of Sados has its dusky star Laura Gemser playing the wicked ruler of an ancient, lost kingdom of the type to be found in the classic H. Rider Haggard novel She. Sadly, this is not the case: what we actually get is yet another mediocre adventure for the sultry sex-mad siren in which, as usual, she gets to bonk just about everyone else in the film.

This time around, Emanuelle isn't a world famous reporter, but rather the vengeful wife of a businessman who is out to settle the score after being sexually abused by her despicable hubby Victor and his equally nasty colleagues, Ilona (Nadia Neri) and Robert (Gordon Mitchell).

After hiring a killer named Mario (Haris Tryfonas) to bump off her wicked spouse in a 'flying accident', Emanuelle is appointed the executor of her step-daughter Livia's inheritance, plus control over her late husband's business, and wastes no time in making life hard for Ilona and Robert. Upset at Emanuelle's interference, and not entirely convinced that Victor's death was accidental, Robert decides to do some investigating which makes Mario less than happy...

A Greek Cypriot production directed by Ilias Mylonakos, Sados never plumbs the depths of tastelessness reached by Italian filth-monger Joe D'amato in his more infamous Emanuelle films: the sex is strictly soft-core—raunchy but not explicit—and there is certainly no gore to speak of. Despite this, Sados does manage to be uncomfortable viewing at times, thanks to the presence of jail-bait actress Livia Russo, who as blossoming teen Livia not only has to strip off for a shower scene and dance suggestively (flashing her gusset), but also be subjected to a harrowing sex attack that spares no detail. I've no problem with nudity (I wouldn't be watching a Gemser film if I did), but someone that young getting her kit off in a soft-core porn flick just feels wrong.

But hey, I suppose that's why they call it exploitation!

5.5 out of 10, rounded up to 6 for killer stud Mario's silky shirt and massive flares.

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